mAPs

challenging dance and cinema across Europe

challenging dance and new medias across Europe

Concept

mAPs – migrating Artists Project – is a transmedia cooperation project between five European countries aiming to support and mentor professional, experienced artists through the production and dissemination of high standard screendance projects, with a commitment to strong ethical values, questioning contemporary societal issues and involving communities into creative processes, every step of the way.

mAPs will be developed on the period 2019-2022 with the support of Creative Europe programme by its co-founders :

The first mAPs collection will focus on the theme of POWER in Europe.

mAPs – Migrating Artists Project è un progetto transmediale di cooperazione fra cinque paesi europei che mira a sostenere e guidare artisti professionisti nella produzione, promozione e distribuzione di 4 film di danza e un documentario incentrati su tematiche di stringente rilevanza sociale ed attualità, con una forte impronta etica, coinvolgendo direttamente le comunità di riferimento all’interno dell’intero percorso creativo e di sviluppo del progetto.

mAPs sarà sviluppato nel periodo 2019-2022 con il supporto del programma Creative Europe dai suoi co-fondatori:

Per la prima sessione, la collezione di film mAPs si concentrerà sul tema del POTERE.

L’intera sessione di due anni sarà completamente documentata, riflettendo la metodologia specifica del progetto che associa un processo di tutoraggio di alto livello per i team di artisti impegnati nella realizzazione dei film, nonché una dinamica di inclusione delle comunità locali di riferimento dei diversi territori coinvolti. Pertanto, in ogni fase del progetto, le comunità locali saranno invitate a partecipare attivamente all’interno del processo creativo.

Team presentation

Team members, starting with our co-founders, present the project through their eyes.

Goals / Obiettivi

mAPs final goal is to state dance films as a real genre in the worldwide online and cinema landscape, rich of a tremendous universal value able to reach for a real societal impact needed from every part of our continent, and most widely, from the world itself. Thanks to its hybrid language, dance film development and diffusion actS as growth tool in the process of expansion, diversification and involvement of wider and new audiences, through direct inclusion.

mAPs activates a process capable of increasing audiences’ attention to new models of production and representation of dance and multimedia performance, thanks to trespassing onto other artistic sectors in many cases more “popular” and familiar (eg cinema, visual arts, music).

mAPs will reinforce artistic creation role as a biologically active enzyme in the complex ecosystem of our nowadays plural societies.

mAPS reflects upon the different artistic processes by producing and evaluating ethnographic accounts and documentations.

mAPs works in artistic residencies & local workshops gathering with communities in all six countries, strengthening artists mobility through residencies in the different territories involved in each film development process.

mAPs values the process of producing dance films as a tool for engaging local communities and thematizing social issues of our contemporary societies.

mAPs acts as an aggregate force in the process of involving new diversified audiences, raising awareness towards an interdisciplinary fruition as well as imagining production, training and distribution as integrated actions.

mAPs aims to effectively position innovative artistic productions on the main stream market and to enhance a tailor-made market for these works.

mAPs è un progetto transmediale di cooperazione fra cinque paesi europei che mira a sostenere e guidare artisti professionisti nella produzione, promozione e distribuzione di 4 film di danza e un documentario incentrati su tematiche di stringente rilevanza sociale ed attualità, con una forte impronta etica, coinvolgendo direttamente le comunità di riferimento all’interno dell’intero percorso creativo e di sviluppo del progetto

mAPs si configura come un innovativo cluster europeo che raggruppa, dal Nord al Sud del continente, professionisti ed esperti di danza, cinema, arte digitale e nuove tecnologie

mAPs è un format inclusivo che abita spazi fisici e virtuali, mediato dall’esplorazione del patrimonio culturale e paesaggistico di un territorio, e dall’incontro e confronto con le persone che lo abitano

mAPs funge da agente aggregante nel processo di diversificazione e coinvolgimento di nuovi pubblici, sensibilizzando verso abitudini di fruizione interdisciplinare e immaginando produzione, formazione e distribuzione come processi integrati

mAPs si sviluppa attraverso residenze artistiche, workshop, incontri e eventi che coinvolgono direttamente gli artisti e le comunità locali in tutti e cinque i Paesi.

mAPs valorizza il processo di produzione di film di danza come strumento per il coinvolgomento diretto delle comunità locali e per esplorare tematiche di stringente attualità all’interno delle nostre società contemporanee

mAPs è portatore di valori forti, legati alla convivenza in Europa oggi, articolati su diverse angolazioni attorno a un tema centrale al centro dei principali problemi sociali attuali: il Potere.

mAPs è sinonimo di un processo di lavoro equo: impegno personale e sociale, flessibilità, sostenibilità, fiducia, trasparenza e rispetto di tutti i partecipanti

mAPS mira ad un’analisi innovativa dei processi artistici inerenti al cinema di danza producendo supporti documentali presso professionisti, teorici e più in generale al pubblico europeo.

mAPs mira a posizionare efficacemente le produzioni artistiche innovative sul mercato principale e a valorizzare un mercato su misura per queste opere.

The Stylistik Company was created in Lyon in 2006 by Clarisse Veaux and Abdou N’gom, two dancers from hip hop. Dedicated to crossbreeding, their collaboration is enriched by their openness to other artistic universes in order to discover new gestures that carry meaning.

In September 2014, Abdou N’gom will take over the direction of the company on his own. He is working to reveal his contemporary and personal writing, generous, curious and full of physicality. He explores the sensible and the sensitive. The company’s repertoire is composed of : Vis-à-Vis (2008), Entre Deux (2009), À ton image, Same Same (2012 – reprise 2014), Show (2014), Falang (2014) and Résistances (2016).

In 2018, he begins the creation of a trilogy around the theme IDENTITIES in which he co-signs with Mehdi Krüger two films danced on different territories: En Résistances and Traces 54. After two seasons of filming the first part mixing dance and poetry – Nos Mouvements Incessants -, in 2020/2021, he launched the second part, Reverse, a choreography for 5 women. In parallel to his creative work, Abdou N’gom asserts his determination to share his passion through awareness raising and transmission actions.

Born and raised in france in 1995, Aline-Sitoé always loved drawing and telling stories. At the age of 13, she started filming her friends after school and created short thriller movies. Growing up, she wanted to find out how a real movie was made. She took a cinema class in high school, and went to a cinema school for three years after that. She ended up studying screenwriting in montreal and since then, she’s a videomaker and a passionate independent filmmaker.

As a young creative, she has been directing and helping producing a decent amount of projects and i think she is able to handle heavier productions. Through her experiences, she learnt how the industry works and what it takes to make a script become reality. She has a strong muliticultural background which often brings her to talk about social injustices and mixing cultures in her projects (Ceeb, cannes 2019) or (The Bronx Berlin Connection). In 2021, she releases her new fiction short, Fragments, with the support of the Black Ink Programme created in Montreal by Black Wealth Media in association with Black on Black Films.

She believes art is a bridge to unite communities, educate and create understanding. The theme power & identities is directly touching her artist soul.

Anthony Faye – DOP

Antti Seppänen studied dance at the Turku art academy and the Theater academy of Finland (Teak) from where he graduated in 2005. Since then, he has worked widely as a dancer with many different choreographers like Jorma Uotinen, Jyrki Karttunen, Cris af Enehielm, Jarec Cemerec, Ingun Bjørnsgraad, Mikiko Kawamura, Yuval Pick, Hugo Fanari, Jenni Kivelä and Yuval Pick. In dance, he is interested in how timing can affect and change meanings and how the body and mind jointly act as a unit of communication.

In 2014, Antti received an artist grant from the Finnish Cultural Foundation. His work has taken him to 21 countries, for example Norway, Sweden, Germany and Russia. His latest engagements have been with the Viirus Theater as an actor in the play Svält – Hunger, Tanssiteatteri MD in Tampere in the dance piece Lovekick, the Finnish National ballet as a dancer, and in Greenland as a residency artist to work in his own solo.

He has also worked as an actor in several Finnish productions.

Ariadne Mikou is an independent artist-researcher of Greek origin and dance specialist currently residing in Italy. She is interested in experimental practices through dance, architecture, visual arts and media. She has presented her work in various venues and contexts such as the Prague Quadrennial of Performance Design and Space 2015 at PQ Show & Tell (CZ); Schiume Festival of Performing Arts (IT); Danse indisciplinée Symposium (NZ); Festival international de vidéodanse de Bourgogne (FR); Light Moves Screendance Symposium (IRL); IDACO NYC (USA).

As a performer, she has collaborated with Abigail Yager (Trisha Brown Dance Company), Bojana Cvejic and Christina De Smedt, Virgilio Sieni, Ismael Ivo, Laura Boato, among others. She is co-founder of futuremellon/NOT YET ART, and currently co-curator of [SET. me free] Dance & Movement on Screen, an emerging projection platform.As an educator and movement specialist, she has collaborated with prestigious institutions including La Biennale di Venezia, Palazzo Grassi, IUAV University in Italy. Her articles and reviews on experimental and interdisciplinary choreographic practices have been published in several international journals and book anthologies with Culture Vulture, an internet arts journalism site, and the world theater portal The Theatre Times as editor for dance in Italy and Greece.

In 2018, she obtained her PhD in Interdisciplinary Choreography fully funded by the Research Centre of the University of Roehampton (UK). She holds a Master of Fine Arts in Dance from Ohio State University (USA), supported by the National Scholarship Foundation of Greece (IKY/Erasmus/Erasmus+) and a position as a Higher Education Assistant. She also holds a Diploma (attached to the Bachelor and Master degrees) from the School of Architecture of the Aristotle University of Thessaloniki (GR).

Konstantina Bousmpoura is an independent artist, researcher, anthropologist and filmmaker. She has researched, directed and produced ethnographic documentaries on the theme of dance, politics and activism in Buenos Aires, Seville, and Athens since 2007. The documentary “Feeling from Outside” (2008, 18′) won 1st prize at the Certamen de Creación Joven Sevilla 2009 (ESP) and has been presented in many international festivals such as XIV Biennial of Young Artists from Europe and the Mediterranean (SKP, 2009), Habana Video Dance Festival (CU), Salle La Alternativa (BCN-ESP).

Her latest documentary “Working Dancers” (2016, 76′) has been presented in international and Greek festivals as well as in academic and non-academic workshops and conferences such as Imagination politique Laboratoire (University of Perugia-IT), Everyday Revolutions (UK), Movement for the National Dance Rights (ARG), Athens Video Dance Project 2019 (GR) and Dance Studies Association International Conference (University of Malta – Performing Arts).

Since 2015, upon her return to Athens, she has been participating in educational conferences and ethnographically based workshops at the most important contemporary dance festivals in Greece.She is a member of the educational and artistic organization ACA which focuses on gender through audiovisual projects (Buenos Aires) and since 2016, works for the Athens Ethnographic Film Festival as a member of the advisory committee.

Choreographer for the mAPs’ Italian team, Raffaele Irace, freelance choreographer and maitre de ballet, is currently program director for dance and performance at the Gallus Theater in Frankfurt, Germany. After an international career as a solo dancer in Germany, Italy, France, Tunisia, Macedonia, Turkey and Belgium, from 2008 to 2016 he directed his dance company and art project “The very secret dance society” in Turin.

From 2015 to 2018 he has been assistant to choreographer Jacopo Godani, director of the Dresden Frankfurt Dance Company in Germany, for which he continues to be a freelance artistic collaborator. In 2014 Raffaele Irace founded and directed “Solocoreografico”, Solo Dance Festival, a festival originally based in Turin ( Italy), that has now established a relevant international networks with programs in Frankfurt Germany, Oklahoma City US and Tunis Tunisia. In addition to the festival, Raffaele is also the creator of IMPRO_RING , a live platform that combines improvisation dance and proxemics.

In 2015, Luca Pescaglini , Riccardo Maione and Daniele Condemi , all united by a great passion for cinema, founded the young film makers collective RATAVÖLOIRA, in Turin. After an initial professional training, the collective won several national competitions: the prestigious “The City I Like” competition in 2017, launched by the National Museum of Cinema inTurin, the SIAE – S’Illumina call with the dance short film original production ”VA!” (2019), selected in many international screen dance festivals through the years, and won the “Short to the point” competition in 2020.RATAVÖLOIRA produce numerous book trailers, music videos and national commercials.They currently collaborate with among others: the Balletto Teatro di Torino, Circolo del Design, Fondazione Piemonte dal Vivo, Reggia di Venaria Reale .

Tero Peltoniemi is a filmmaker who believes the language of cinema consists of motion and rhythm.

He holds dance film to a high regard because it has potential to integrate these elements most organically and strives to give viewers sensations through their use. He works to catalyst audiences into thinking and acting.He has studied both filmmaking and acting to equip himself for the dance between camera and performer that is cinema.

His latest dance film Mudlove (2019) is a mudwrestling dance about hearts that unite and bodies that collide. Marrying music and motion with a twist of social commentary has been his main focus and trademark.

POWER! - mAPs dance film collection (trailer)

POWER! - mAPs dance film collection (trailer)

POWER – THE MAPS SHORT FILM COLLECTION

EMERSION

EMERSION | France 2022 | 19’13

A film by Aline-Sitoé N’Diaye choreographed by Abdou N’Gom

Choreographed by Abdou N’GomYaa, a multi-ethnic girl, is confronted with her skin color for the first time when she discovers the shades of ballet shoes in a store. At 15, Yaa hates everything about her, especially her hair, which is constantly touched by strangers; she decides to straighten it to look like her friends. This is the beginning of a hellish journey that pushes her to want to reflect the world around her. When she can no longer damage her hair, she realizes that she needs a profound change.

CIRCOLOGY

CIRCOLOGY | Finland 2022 | 15’

A film by Tero Peltoniemi & Antti Seppänen

Atlas has been living next to a wind turbine, in his remote and closed, yet safe and comfortable town. Although a master of arm-spinning, Atlas progressively finds himself breaking away from the circular communal tradition of his town. Until the explosion of his wind turbine burns his life’s meaning to the ground.

36 MONTHS – FIGHTING FOR ZAK

36 MONTHS – FIGHTING FOR ZAK | Greece 2022 | 13’

A film by Konstantina Bousmpoura & Ariadne Mikou

On the anniversary of the violent murder of activist, anti-fascist and drag queen Zak Kostopoulos, George, a well-established young lawyer, tries in vain to lay a flower bouquet at the impromptu monument, which is guarded by police. While an activist protest in front of the monument is in progress, George’s business meeting is constantly interrupted. As a result, he is confronted with his deepest feelings and comes to a rupture with his work environment.

DANSOMATON

DANSOMATON | Italy 2022 | 13’

A film by RATAVÖLOIRA

Set in a nocturnal «suburbia» of Turin, DANSOMATON is based on a game of fightingandroids remotely-controlled by their human owners. Winning allows players to customize their DANSOMATON both physically and by purchasing upgrade cards simulators of consciousness, emotions and vocabulary. Richi, 25, is a beginner player, a boy distressed by his loneliness, who sees in DANSOMATONs the possibility to finally build a relationship. Meeting Dedra, a long-winded player to the limit of obsession, grants Richi the opportunity to win the last missing points to buy the word card to his DANSOMATON, Prisma. Richi is ready to set off with his new empowered android friend, but Prisma seems not to be of the same advice.

SEARCHING FOR PHOENIX

SEARCHING FOR PHOENIX | Germany 2022 | 14’57

A film by Marc Wagenbach

Phoenix is assigned by his supervisor from the Ministry of Innovation and Change to assess the impact of the COVID-19 crisis in Europe in order to create risk scenarios for the German economy. He embarks on a journey, where he must overcome personal and professional obstacles to fulfill his work assignment : in a world yearning for change.

Us / Noi

Stéla is an artistic platform gathering all the activities of the organisation under the same banner: creation, production and dissemination of projects crossing dance and cinema to explore societal issues.

DAN.CIN.LAB
Association Stéla (lead partner)
Director: Anna Alexandre
T.+33 427 818 308
contact@dancinlab.co
www.dancinlab.co

 

COORPI is a cultural non – profit organization, gathering dancers, choreographers , teachers and professionals working in the dance field on different levels. The association was founded in November 2002 to commend choreutic professionals by supporting their professional and creative development, develop new interaction’ processes between artists and local communities, engage new audiences, promote training and research on contemporary dance and to encourage new forms of collaboration and networking, providing a dynamic space for discussion and dialogue between its members, local communities, regional and national institutions.

COORPI
Director: Lucia Carolina De Rienzo
T. +39 393 839 5949
info@coorpi.org
www.coorpi.org

 

MØZ focuses on the creation of cultural projects, alongside educational and environmental activities, which promote the development of interdisciplinary thinking and arise social awareness, combining art with technology and nature.

MØZ
Co-Founders: Chrysanthi Badeka and Marios Zervas
chr.badeka@gmail.com
https://www.chrysanthibadeka.com/moslashz.html

 

MALAKTA ART FACTORY Finland, is a multidisciplinary centre of creation, production and artistic residence on the languages at the intersection of dance and cinema. It is also the seat of the homonymous film production company, Malakta Films Ltd.

Malakta Films
General Manager: Jukka Rajala_Grandstubb
jukka@malakta.fi
www.malakta.fi

 

TANZRAUSCHEN e.V. is an organization founded in 2013 by artists, curators, dancers, designers, web designers and filmmakers from Wuppertal. It is a non-profit organization with the mission of cultural and aesthetic development and awareness of the genre of dance for the screen through workshops, exhibitions, screenings, lectures, symposia, festivals and special projects.

Tanzrauschen e V.
Board: Marc Wagenbach, Kerstin Hamburg, Felicitas Willem, Zara Gayk
T. +49 202/47 82 98 65
info@tanzkraushen.de
www.tanzrauschen.de

Stéla è un’associazione no profit francese attiva dal 2010 nella produzione, curatela e programmazione di progetti di Danza & Cinema su tematiche di rilevanza sociale. Tra le sue attività principali: festival, rassegne, workshop, convegni, performance e progetti partecipativi.

DAN.CIN.LAB
Association Stéla (lead partner)
Director: Anna Alexandre
T.+33 427 818 308
contact@dancinlab.co
www.dancinlab.co

 

COORPI è un’associazione culturale che nasce nel 2002 con l’obiettivo di sviluppare nuove modalità di comunicazione con il territorio e i suoi abitanti, attraverso i linguaggi plurali della danza e del corpo. Dal 2011 realizza progetti dalla forte componente multimediale ed interattiva, coniugando danza, video, social media e sviluppando forme espressive cross disciplinari, al servizio di un racconto creativo, fisico e corporeo.

COORPI
Director: Lucia Carolina De Rienzo
T. +39 393 839 5949
info@coorpi.org
www.coorpi.org

 

MØZ si focalizza sulla creazione di progetti culturali, accanto ad attività educative e ambientali, che promuovono lo sviluppo del pensiero interdisciplinare e la sensibilizzazione sociale, coniugando l’arte con la tecnologia e la natura.

MØZ
Co-Founders: Chrysanthi Badeka and Marios Zervas
chr.badeka@gmail.com
https://www.chrysanthibadeka.com/moslashz.html

 

 

MALAKTA ART FACTORY Finlandia, è un centro multidisciplinare di creazione, produzione e residenza artistica sui linguaggi all’incrocio tra danza e cinema. E’ anche sede dell’omonima casa di produzione cinematografica, Malakta Films Ltd.

Malakta Films
General Manager: Jukka Rajala_Grandstubb
jukka@malakta.fi
www.malakta.fi

 

TANZRAUSCHEN e.V. è stata fondata nel 2013 da artisti, filmmaker, curatori e creativi a Wuppertal (DE), con la mission di sostenere lo sviluppo culturale ed estetico del cinema di danza attraverso workshop, mostre, proiezioni, conferenze, simposi, festival e progetti speciali.

Tanzrauschen e V.
Board: Marc Wagenbach, Kerstin Hamburg, Felicitas Willem, Zara Gayk
T. +49 202/47 82 98 65
info@tanzkraushen.de
www.tanzrauschen.de

Partners

Co-funded by / Co-finanziato da

Contacts /Contatti

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